George A. Tice: Curriculum Vitae
Books by George Tice
Fields of Peace, A Pennsylvania German Album
New York: Doubleday, 1970
Text by Millen Brand
Goodbye, River, Goodbye
New York: Doubleday, 1971
Text by George Mendoza
Paterson
New Brunswick, New Jersey:
Rutgers University Press, 1972
Fields of Peace, A Pennslvania German Album
New York: Doubleday, 1973
Text by Millen Brand
Seacoast Maine: People and Places
New York: Doubleday, 1973
Text by Martin Dibner
George A. Tice, Photographs 1953-1973
New Brunswick, New Jersey: Rutgers University Press, 1975
Introduction by Lee D. Witkin
Urban Landscapes, A New Jersey Portrait
New Brunswick, New Jersey: Rutgers University Press, 1975
Artie Van Blarcum, An Extended Portrait
Danbury, New Hampshire: Addison House, 1977
Urban Romantic, The Photographs of George Tice
Boston: David R. Godine, 1982
Seacoast Maine: People and Places
Camden, Maine: Downeast Books, 1982
Text by Martin Dibner
Lincoln
New Brunswick, New Jersey:
Rutgers University Press, 1984
Seacoast Maine: People and Places
Gardiner, Maine: The Harpswell Press, 1987
Text by Martin Dibner
Hometowns, An American Pilgrimage
Boston: Little, Brown, 1988
Stone Walls • Grey Skies, A Vision of Yorkshire
Bradford, England: National Museum of
Photography, Film & Television, 1991
Afterword by Juliet R. V. Barker
Stone Walls • Grey Skies, A Vision of Yorkshire
Bradford, England: National Museum of
Photography, Film & Television, 1993
(Expanded) Afterword by Juliet R. V. Barker
Fields of Peace, A Pennsylvania German Album
Boston: David R. Godine, 1998 (revised)
Text by Millen Brand
Foreword by Sue Bender
George Tice Selected Photographs, 1953-1999
Boston: David R. Godine, 2001
Foreword by David R. Godine
George Tice: Urban Landscapes
New York: International Center of Photography
In Association with W. W. Norton, 2002
Introduction by Brian Wallis
Common Mementos
Revere, Pennsylvania: Lodima Press, 2005
Paterson II
The Quantuck Lane Press, NY, 2006
Foreword by Mary Sue Sweeney Price
Introduction by A. D. Coleman
Ticetown
Revere, Pennsylvania: Lodima Press, 2007
Seacoast Maine
Boston: David R. Godine, 2009
Introduction by John K. Hanson
Permanent Collections
Museum of Modern Art, New York, NY
Metropolitan Museum of Art, New York, NY
Brooklyn Museum, Brooklyn, NY
Art Institute of Chicago, Chicago, IL
J. Paul Getty Museum, Los Angeles, CA
International Center of Photography, NY
Los Angeles County Museum of Art, Los Angeles, CA
Newark Museum, Newark, NJ
High Museum of Art, GA
Smithsonian Institution, Washington, DC
Minneapolis Institute of Arts, MN
Museum of Fine Arts, Houston, TX
DeCordova Museum and Sculpture Park, Lincoln, MA
Columbus Museum of Art, Columbus, OH
San Francisco Museum of Modern Art
Santa Barbara Museum of Art, CA
Stanford University Museum of Art, CA
Yale University Art Gallery, CT
University of Colorado at Boulder, Boulder, CO
Library of Congress, Washington, DC
National Museum of American Art, Washington, DC
Museum of Fine Arts – St Petersburg, FL
Reva & David Logan Foundation, IL
Indiana University Art Museum
Cedar Rapids Museum of Art, Cedar Rapids, IA
University of Kentucky Art Museum, KY
University of Louisville, Louisville, KY
New Orleans Museum of Art, New Orleans, LA
Baltimore Museum of Art, MD
William A. Farnsworth Library and Art Museum, ME
Colby College, Waterville ME
University of Maine Museum of Art, Bangor, ME
University of Michigan, Museum of Art, MI
Detroit Institute of Art, MI
Grand Rapids Art Museum, MI
Hallmark Cards, Inc., MO
St. Louis Art Museum, MO
Plainfield Public Library, Plainfield, NJ
Princeton University, The Art Museum, NJ
New Jersey State Museum, Trenton, NJ
Zimmerli Art Museum, New Brunswick, NJ
George Eastman House, Rochester, NY
Cincinnati Art Museum, OH
Cleveland Museum of Art, OH
Columbus Museum of Art, OH
Toledo Museum of Art, OH
University of Oklahoma Museum of Art, OK
Portland Art Museum, OR
University of Oregon Museum of Art, Eugene, OR
Philadelphia Museum of Art, PA
Rhode Island School of Design, RI
Memphis Brook Museum of Art, TN
San Antonio Museum Association, TX
Chrysler Museum, VA
Northern Virginia Community College, Alexandria, VA
Middlebury College Museum of Art, VT
Milwaukee Art Museum, WI
Bibliothèque Nationale, Paris, France
Tokyo Metropolitan Museum of Photography, Japan
Israeli Museum Museum of Art, Jerusalem
Irish Museum of Modern Art, Dublin, Ireland
One-Person Exhibitions (selected)
2011
George Tice: Seldom Seen, Danziger Gallery, NYC
2009
George Tice: American Photographer, Peter Fetterman Gallery, Santa Monica, CA
George Tice: Paterson, Jordan Schnitzer Museum of Art, University of Oregon, OR
2008
George Tice at Seventy, Gallery Two Seventy, Bergen Performing Arts Center, Englewood, NJ
2007
Paterson II: George Tice, Ben Shahn Center Galleries, William Paterson University, Paterson, NJ
Paterson II and Classics in Palladium, Candace Dwan Gallery, New York, NY
2006
George Tice, Peter Fetterman Gallery, Santa Monica, CA
Paterson II: Photographs by George Tice, The Newark Museum, Newark, NJ
2005
George Tice: A Retrospective, Scott Nichols Gallery, San Francisco, CA
2004
George Tice, Candace Perich Gallery, Katonah, NY
George Tice: Urban Landscapes, Zelda Cheatle Gallery, London, UK
2003
George Tice: Urban Landscapes, Celebrating his 50th Year in Photography, John Cleary Gallery, Houston, TX
George Tice: Urban Landscapes, Halsted Gallery, Bloomfield-Hills, MI
George Tice: Urban Landscapes, University of Maine Museum of Art, UMMA, Bangor, ME
George Tice: Urban Landscapes, New Jersey State Museum, Trenton, NJ
George Tice: Retrospective, Art Forms Gallery, Red Bank, NJ
2002
Paterson, The 30th Anniversary of his 1972 Solo Show at the Metropolitan Museum of Art, Ariel Meyerowitz Gallery, New York, NY
George Tice: Urban Landscapes, International Center of Photography, New York, NY
2001
George Tice: Selected Photographs, Point Light Gallery, New South Wales, Australia
Steichen / Tice / Tice / Tice, Candace Perich Gallery, Katonah, NY
2000
Fields of Peace, Robert Klein Gallery, Boston, MA
George Tice: Selected Photographs, 1953 – 1999, Ariel Meyerowitz Gallery, New York, NY
1999
Fields of Peace, John Cleary Gallery, Houston, TX
Fields of Peace and Other Classic Images, Peter Fetterman Photographic Works of Art,
Santa Monica, CA
1998
Fields of Peace, Witkin Gallery, New York, NY
1997
George Tice: An American Master, Point Light Gallery, Glebe, New South Wales, Australia
1995
Stone Walls, Grey Skies, Afterimage Gallery, Dallas, TX
1993
George Tice: Photographs, Fay Gold Gallery, Atlanta, GA
1992
Stone Walls, Grey Skies, Witkin Gallery, New York, NY
Stone Walls, Grey Skies, Photo Gallery International, Tokyo, Japan
The Photographs of George Tice, Houk Gallery, Chicago, IL
1991
Stone Walls, Grey Skies and A Retrospective, National Museum of Photography, Film & Television, Bradford, England
1990
Hometowns, Oklahoma City Art Museum, Oklahoma City, OK
1989
Hometowns, Susan Spiritus Gallery, Costa Mesa, CA
1988
Seacoast Maine, Photo Gallery International, Tokyo, Japan
Hometowns, Chrysler Museum, Norfolk, VA
Hometowns, Witkin Gallery, New York, NY
1985
George A. Tice, Photographic Museum of Finland, Helsinki, Finland
Main Street to Red Square, Drew University, Madison, NJ
1984
Lincoln, Witkin Gallery, New York, NY
1981
Photographs 1953-1981, Witkin Gallery, New York, NY
1979
Liberty State Park: The Master Plan, Museum of Modern Art, New York, NY
1976
George A. Tice, New Jersey State Museum, Trenton, NJ
1975
Urban Landscapes, Rutgers University Art Gallery, New Brunswick, NJ
Photographs: 1953-1973, Witkin Gallery, New York, NY
1973
Seacoast Maine, Witkin Gallery, New York, NY
1972
Paterson, New Jersey, Metropolitan Museum of Art, New York, NY
1971
Paterson, New Jersey, Historical Museum, Newark, NJ
1970
Fields of Peace, Witkin Gallery, New York, NY
1969
The Amish Portfolio, E. Weyhe Gallery, New York, NY
1966
Recent Photographs, Gallery 216, New York, NY
Group Exhibitions (selected)
2009
Snow Country, Photographs from the Gallery Collection, Scott Nichols Gallery, San Francisco, CA
2008
The Visual Path, Nailya Alexander / Candace Dwan Gallery, New York, NY
Online Summer Show III: Photographs From the Gallery Collection, Scott Nichols Gallery, San Francisco, CA
2007
The Spirit of Platinum, Fotosphere Gallery, New York, NY
Truth and Beauty, Point Light Gallery, Sydney, Australia
Icons, Photography Monika Mohr Galerie, Hamburg, Germany
Where We Live: Photographs of America From the Berman Collection, The J. Paul Getty Museum, Los Angeles, CA
2006
American Photographers: Fine Prints, Photo Gallery International, Tokyo, Japan
Time, Fotosphere Gallery, New York, NY
2005
What Happened in the 1960s? Halsted Gallery, Bloomfield Hills, MI
Adieu, Ariel Meyerowitz Gallery, New York, NY
Vernacular Territory, Ariel Meyerowitz Gallery, New York, NY
Still Life and Stilled Lives, Ariel Meyerowitz Gallery, New York, NY
2004
Wild Flowers, Ariel Meyerowitz Gallery, New York, NY
2002
The Anniversary Exhibition, Point Light Gallery, Sydney, Australia
2001
Others Among Us, Catherine Edelman Gallery, Chicago, IL
1999
American Photographs 196 1999, James Danziger Gallery, New York, NY
Images of Europe, Photographs from the Permanent Collection, DeCordova Museum, Lincoln, MA
1997
New Jersey Arts Annual: Choosing New Jersey, Newark Museum, Newark, NJ
1993
Seeing the Forest Through the Trees, Contemporary Arts Museum Houston, Houston, TX
1990
Money Matters: A Critical Look at Bank Architecture, Museum of Fine Arts, Houston, TX
1985
Tribute to Lee Witkin, New York University, New York, NY
1983
Phototypes, Whitney Museum of American Art, New York, NY
1981
Jersey Evidence: Seven New Jersey Photographers, New Jersey State Museum, Trenton, NJ
Views over America, Museum of Modern Art, New York, NY
1980
Platinum: Eight Contemporary Photographers, Museum of Fine Arts, Springfield, MA
Six Photographers, Newark Museum, Newark, NJ
1979
National Arts Club, New York
Seven Photographers: The Delaware Valley, New Jersey State Museum, Trenton, NJ
Mirrors and Windows, Museum of Modern Art, New York, NY
1978
Viewpoints ’78, Morris Museum of Arts and Sciences, Morristown, NJ
1977
Concerning Photography, Photographers Gallery, London, Great Britain
George Tice and Artie van Blarcum, Witkin Gallery, New York, NY
1974
Photography in America, Whitney Museum of American Art, New York, NY
1973
New Images 1839 – 1973, Smithsonian Institution, Washington, D.C.
Newly Re-created, Fogg Art Museum, Harvard University, Boston, MA
Landscape / Cityscape, Metropolitan Museum of Art, New York, NY
Historic Processes by Contemporary Photographers, Baltimore Museum of Art, Baltimore, MD
1971
The Museum of Modern Art, New York, NY
Obsolete Processes/Contemporary Practitioners, The Art Institute of Chicago, IL
1970
Photographs for Collectors, Albright-Knox Gallery, Buffalo, New York, NY
The Photographer and the Place, Focus Gallery, San Francisco, CA
1969
Spectrum I: Five Contemporary Photographers, Witkin Gallery, New York, NY
19th- and 20th-Century Photography, Nelson-Atkins Museum, Kansas City, MO
Recent Acquisitions, Minneapolis Institute of Arts, Minneapolis, MN
1968
Photography in the U.S.A., De Cordova Museum, Lincoln, MA
1967
Photographs for Collectors, Museum of Modern Art, New York, NY
Boston Camera Club, Boston, MA
1965
Art and Science, Albany Institute of History and Art, Albany, NY
George Tice and Jules Aarons, Underground Gallery, New York, NY
1938年10月泰斯出生于新泽西州的纽瓦克。
尽管乔治泰斯在别处拍摄过一些精美的照片，但是他用自己创作的岁月表明了美国是一个“你可以拍摄的地方”，而且秉承鲁亚克的精神，让它变为神圣。
泰斯的榜样并非纽约派的摄影师们—温诺格兰德（Winogrand）、罗伯特·弗兰克（Robert Frank）、李·弗里德兰德（Lee Friedlander）、海伦·莱维特（Helen Levitt）——用小型相机快速一瞥，在上个世纪后半叶在大众的想象中确立了美国的都市形象。泰斯与他们所共有的，就是探索寻常之中存在的诗意，潜伏在单调乏味中的灵光一现。但是泰斯主要是用十九世纪的设备，即一台8×10英寸机背取景相机来创作，这促使（当然也要求）对图像的构建采取更加从容不迫、深思熟虑的态度，而大幅底片扑捉到比35毫米底片更多的信息。这些照片并非对被拍摄主体的飞快一瞥，而是长时间努力观察，经过思索，满载着让你完全沉入其中的丰富细节。
泰斯是今天所谓“可替代工艺”运动的创始成员，这一运动重新引入了很多早已废弃的底片和照片制作工艺，使之成为当代摄影的工具。 他作为暗房制作师的技能，使其无与伦比的用原底片制作了多位摄影史上重要人物的作品以及他们的限量版作品集，例如爱德华·韦斯顿（Edward Weston）、弗雷德里克·埃文斯（Frederick H. Evans）、弗朗西斯•布鲁吉耶尔（Francis Brugière）、拉尔夫·施泰纳以及刘易斯·海因（Lewis Hine）等，泰斯还成为了斯泰肯有生之年为他印放照片的最后一人。由泰斯制作的那些不朽的作品使他当之无愧的成为了被国际上公认为他自己作品的唯一一例。
“重要的是我所寻求的文明”，泰斯说。在这里，他给予我们文明那些明白无疑的痕迹，他称之为“忧伤之美”。在大部分这类照片中，人类是虚无的，通常是无形的；人造的构筑物逐渐但却势不可挡地恶化下去；凡能够侵蚀之处，平淡乏味的自然仍延续存在着，毫不留情，彰显自己的权威。泰斯在他的照片中并未冥思未来将不复存在的环境，而是空间典型的切面，饱含人类的历史，等待着下一次的嬗变。